Material Philosophy
Colour is inherent
in the material —
not applied to it.
For Gaudí, materials were never decorative. The colour of his buildings came from the geological origin of the stone, the oxidation of the bronze, the mineral content of the ceramic.
Every material below was chosen first for its structural role, second for its origin, and third for its appearance. The bronze is unlacquered so it will age. The marble is bookmatched because no two slabs are identical.
Examples of Anticipated Products
Complete finish specification.
Type C (The Trencadís) includes a fully bespoke finish consultation with the design architect.
Calacatta Gold Marble
Bookmatched slabs throughout primary living areas. Each slab individually selected in Italy.
Iroko Teak
Solid iroko teak for all cabinetry and door frames. Sustainably sourced, oil-finished to deepen with age.
Unlacquered Bronze
All ironmongery in solid unlacquered bronze — designed to develop a natural patina.
Venetian Plaster
Hand-applied in the Venetian tradition. Three coats, burnished to a natural sheen.
Deep Indigo Ceramic
Handmade tile in a deep indigo-navy glaze referencing the Intracoastal and the Spanish azulejo tradition.
Pietra Serena
The dark blue-grey stone used by Brunelleschi in the Florentine Renaissance. Honed for exterior use.
Curved Laminated Glass
All windows in curved low-iron laminated glass following the organic profile of each villa elevation.
Trencadís Mosaic
Hand-set mosaic of reclaimed ceramic in the Gaudían tradition. Each installation unique, made on-site.